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The Oscar Peterson Quartet assembled for this occasion included jazz musicians from Sweden, the U. But the pianist who brought the crowd to its feet was Herbie Hancock, who decided only a few days ago that he just had to be at this event and took a red-eye flight to overcome the obstacle of an impossible schedule. Quincy Jones, the great jazz composer and conductor, drew a standing ovation as soon as he walked onto the stage.
Hancock recalled that when he was a teenager planning to become an electrical engineer, hearing a Jazz at the Philharmonic record changed his life. Recalling a half-century of collaborating with Peterson, Jones noted that jazz was never a macho form.
"Musicians don't think twice about letting our feminine side come out." Alluding to a memorable concert tour that featured Count Basie and Frank Sinatra, with Peterson and bassist Ray Brown as the opening act, Jones quipped: "I wouldn't dare repeat the dialogue I heard between Oscar and Ray." Several speakers referred to Peterson's courage in continuing to perform after suffering permanent damage in a 1993 stroke.
But in the words of Bob Rae accomplished pianist, former Ontario premier and friend of the Peterson family the world discovered that a one-handed Peterson was better than almost anyone else with two hands.
His funeral will be a private family affair, with a public memorial later.
They're always here." The program included four female vocalists, but there was one glaring omission.
Molly Johnson, Toronto's own marvellous jazz singer, was seated in the guest section but was left out of the performing line-up.
"And he was exactly like that decades later when we reconnected." After attending Harbord Collegiate, Cohl went to Osgoode Law School.
In 1951, he married his high school sweetheart, Joan Carin, and they had three children, Robert, Karen and Steven.
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In September, the Toronto film festival will reveal its plans to honour Cohl.